CD Reviews

The concept album has been around since 1939, but the artists featured in this month’s vocal CD reviews have adapted the concept to fit their own needs. Thomas Cunniffe reviews albums by Patricia Barber, Stacey Kent, Kate McGarry and Roseanna Vitro.

This month’s instrumental jazz reviews focus on the two most popular instruments in jazz. Eliane Elias plays duets with Chick Corea and Chucho Valdés on “Mirror Mirror”; Joel Frahm interacts with his trio on “The Bright Side”; Renee Rosnes and Chris Potter are reunited on “Kinds of Love” and Helen Sung pays tribute to great female jazz composers on “Quartet Plus”. Thomas Cunniffe discusses these four outstanding albums.

By a happy and well-timed coincidence, the JHO mailbox has been filled with new discs by outstanding vocalists, all of whom have been previously featured on the site. With our 10th anniversary coming up this July, here are Thomas Cunniffe’s reviews of new CDs by Roseanna Vitro, Jane Monheit, Gretchen Parlato, Alyssa Allgood and Veronica Swift.

In what we hope will be the final installment of this series, Thomas Cunniffe reviews 5 new discs released during the pandemic. Included are Franco Ambrosetti’s “Lost Within You”, Jane Ira Bloom & Mark Helias’ “Some Kind of Tomorrow”, Noah Haidu’s “Slowly: Song for Keith Jarrett”, Jon-Erik Kellso’s “Sweet Fruits, Salty Roots” and Chris Pattishall’s “Zodiac”.

In a continuing series, Jazz History Online devotes its CD Review section to discs issued during the pandemic. Thomas Cunniffe reviews 6 discs this time, including Dave Douglas’ “Overcome”, Fred Hersch’s “Songs from Home”, Carla Marciano’s “Psychosis”, The Royal Bopsters’ “Party of Four”, Matt Wilson’s “Hug!” and Martin Wind’s “White Noise”.

In a continuing series, Jazz History Online devotes its CD Review section to discs issued during the pandemic. Thomas Cunniffe reviews 8 discs this time, including “Artemis”, Dena DeRose’s “Ode to the Road”, Dave Douglas’ “Dizzy Atmosphere”, Sarah Elgeti’s “Dawn Comes Quietly”, Brian Landrus’ “For Now”, Allegra Levy’s “Lose My Number”, Maria Schneider’s “Data Lords” & Kenny Washington’s “What’s the Hurry”.

The COVID-19 has shut down the world’s economy in short order. For many jazz artists, recorded music is their only source of income. The albums reviewed here are all current releases; most of them were released during the period of nationwide lockdown. These reviews by Thomas Cunniffe will be a continuing feature on Jazz History Online as long as the crisis continues. The current set was adapted from what was to be a standard collection of vocal and piano reviews; the reviews in future issues will encompass all types of instrumental and vocal jazz. JHO has always encouraged its readers to support the musicians by purchasing their CDs. The message could not be more urgent now. If you can afford to help, please do.

Since the early 1900s, French classical composers and jazz musicians have influenced and inspired one another. Two new recordings examine this unique cross-relationship. “Impressions of Debussy” offers straight performances of Debussy’s Preludes by pianist Lori Sims, followed by jazz interpretations by soprano saxophonist Andrew Rathbun and pianist Jeremy Siskind. “The Melodic Line”, the sophomore release by Reverso–co-led by trombonist Ryan Keberle and pianist Frank Woeste–presents new works inspired by the composers of the French collective Les Six. Thomas Cunniffe reviews both albums in this special CD Review.

Every time Thomas Cunniffe returns home from the Vail Jazz Party, his luggage includes several new CDs featuring the festival artists. This year, it took a little while to gather CDs because some sold out quickly at the party, and other discs will still awaiting release. Here are capsule reviews of newly released albums featuring these superb musicians, many of whom are scheduled to return to Vail this summer.

The four male vocalists featured in this month’s Vocal CD Reviews have spiced up their new discs with unusual repertoire and unique arrangements. Thomas Cunniffe discusses the newly released music by John Allee, Benny Benack III, Paul Jost and Jay Leonhart.

With an increased presence in today’s jazz scene, more and more female musicians are asserting themselves with projects focusing on personal heroes, historical milestones and contemporary politics. In this CD review, Thomas Cunniffe explores powerful albums by Nancy Harms, Karrin Allyson and Virginia Schenck.

In discovering a unique repertoire, jazz musicians (both instrumentalists and vocalists) must search to find their own proper combination of standard and original material. If the two are not balanced, a musician can be unfairly labeled as either a cover artist or too esoteric. In this month’s Vocal CD Reviews, Thomas Cunniffe examines four self-released discs by artists who are searching for that elusive formula.

Artists of all kinds strive for a direct connection with their audiences (basically, where thoughts move from their mind to yours)_. Until the day when telepathic communication becomes the norm, solo performances are the closest equivalents, with only an instrument, a communication method and our comprehension. In this month’s Instrumental CD Reviews, Thomas Cunniffe discusses three new solo piano recordings where the artist’s emotions and motivations are clearly expressed in their music.

There is a special challenge inherent in composing for a small jazz ensemble. The composer must leave enough room for improvisation but not stifle his/her own creative impulses. Thomas Cunniffe reviews three new albums primarily comprised of original music which secure that delicate balance. Led by Anat Cohen, Tom Harrell and Skip Wilkins, the discs feature prime examples of progressive jazz compositions.