Sidetracks

Jazz History Online's annual recap of the year in jazz. Includes listings of the year's best books, concerts, and CDs, and a memorial for those jazz musicians and supporters who died in the past year.

2020 is FINALLY over! Jazz History Online presents its lists of the best CDs, reissues and books, plus a solemn remembrance of those jazz masters who passed away.

2021 was a roller coaster of a year, filled with contradictions and false starts. However, there was great music performed live and on disc, plus excellent historical reissues and books. We note these accomplishments, and say farewell to those who left us in this year's Summation.

…And another year has passed. This one seemed to move quicker than the others but not being in quarantine might have made the difference. In 2022, Jazz History Online covered more concerts than in any other year in its history; however, this was also the year with the fewest full issues. Only 3 books and ...

In recent years, many jazz venues have added live video streaming as a way to add to their revenue and recognition. Theoretically, a live feed should be the next best thing to being there, but in this month's Sidetracks, Thomas Cunniffe discusses the highs and lows of video streaming, and spotlights a club that's trying to set the bar higher.

Normally, this space would be filled with a book review. But this month, Thomas Cunniffe became quite frustrated with a new jazz listener's guide he was asked to review. As he writes,This book is a particularly egregious example of shoddy work, which was pushed into the marketplace without recognition of its responsibilities or consequences. Cunniffe uses the faults of the book to address the problems with some of today's jazz scholarship.

The New Yorker's fake Sonny Rollins interview has probably gotten more attention than it ever deserved, but the suicide of Robin Williams has brought out a new and disturbing element about the Rollins article. In this special edition of Sidetracks, Thomas Cunniffe explores the darker side of the New Yorker's satire.

Despite a wealth of historical material on the internet, there are many otherwise well-educated people who are unaware of great musicians like Louis Armstrong and Duke Ellington. In this Sidetracks commentary, Thomas Cunniffe urges jazz fans to introduce newcomers to the music before our legacy vanishes.

The COVID-19 virus shut down live concerts within a few days. The re-emergence of concerts is a slow process, but Thomas Cunniffe reports that musicians can get back to work if they are willing to create their own opportunities.

Since the summer of 2015, when she uploaded her remarkable scat version of John Coltrane's Giant Steps, French jazz vocalist Camille Bertault has been an internet sensation. In this edition of Sidetracks, Bertault tells Thomas Cunniffe about the inspiration for that video, and her unique and varied background. The article includes four embedded videos (and links to several more) plus a review of Bertault's new CD, En Vie.

Of all Dave Brubeck's compositions, none have been as completely transformed as Koto Song. Thomas Cunniffe examines 11 Brubeck recordings of the piece and notes the gradual evolution of this delicate masterwork. All of the pieces can be heard through an embedded audio playlist and a video.

2017 marks the 100th anniversary of Ella Fitzgerald's birth, and the occasion is being marked with a plethora of reissues, compilations and tributes. In this special Sidetracks article, Thomas Cunniffe pays homage to the First Lady of Song with an appreciation of her art, and an overview of this spring's salutes.

In the first edition of our new Sidetracks feature, Amy Duncan tells of getting the interview of a lifetime with the legendary (and notoriously difficult) Miles Davis. The first-person narrative is part of Duncan's soon-to-be-published autobiography Getting Down To Brass Tacks: My adventures in the world of jazz, Rio and beyond.

Standup comedians like Mort Sahl, Lenny Bruce, Woody Allen and Bill Cosby have readily acknowledged the influence of jazz in their work but few comedians talked about the music in their acts. There were a few exceptions, and Thomas Cunniffe shares them in this month's Sidetracks.

Winter Morning Walks is the first album in five years from composer Maria Schneider. It is not a jazz album, but a pair of orchestral song cycles featuring soprano Dawn Upshaw. As it represents a change of pace for both us and the artist, it seems appropriate to present Thomas Cunniffe's review of the album as this month's edition of Sidetracks.

Philadelphia vocalist Michelle Lordi loves to tell stories in song. She has a deep abiding interest in the Great American Songbook, but has also found viable material from alternative country singer Ryan Adams and the 1980s pop group, The Cars. In this month's Sidetracks feature, Thomas Cunniffe introduces us to Lordi through her recordings and a recent live performance in Denver.

Happy Holidays from Jazz History Online! For our annual feature, Music for a Cool Yule, Thomas Cunniffe and Marti Mendenhall offer capsule reviews of the best in holiday jazz, both new and classic. We have received far less holiday discs for review this year, so we hope that you will look through the entire list to find a new holiday favorite, regardless of whether it is a new release, or one from years past.

Former Jazz History Online contributor Amy Duncan passed away in June 2018. With the exception of a single Facebook post by jazz critic Chip Deffaa, no obituaries or memorials have appeared in print or online since Amy’s passing. In this special edition of Sidetracks, Thomas Cunniffe curates a tribute to our friend and colleague, Amy Hildreth Duncan. (Cover photo by Robert Serbinenko.)

Few singers could discover the inner meaning of a lyric like Susannah McCorkle. A self-described hopeless romantic, she thoroughly researched the songs she performed, and sometimes added long-forgotten lyrics to her arrangements. McCorkle committed suicide in 2001, but her memory lives on through a newly-released live recording from Berlin. Thomas Cunniffe, who once interviewed McCorkle, discusses her life and artistry in this Sidetracks article.

Invent a new recording technology and someone will claim that the old technology was better. The CD vs. LP discussion has gone on for the past several years, but Sony Music is going one step further, claiming that Miles Davis' first 9 Columbia albums were designed to be heard in mono. Thomas Cunniffe speculates on Sony's reasoning in this month's Sidetracks.

As 2018 comes to a close, Jazz History Online recognizes the best new and reissued CDs, DVDs and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2018.

When someone says they don't write good songs anymore, they must not referring to Dave Frishberg. Since the early Sixties, Frishberg has created witty, off-beat songs which have the repertoire of many singers. Thomas Cunniffe offers his own salute to this superb musician with a selection of Frishberg's best songs, some performed by the composer himself.

One of the most revered vocalists of the 1950s, Jeri Southern created a series of acclaimed LPs and then abruptly stopped performing and recording. Thomas Cunniffe explores her minimalist style and her recorded legacy in this month's edition of Sidetracks.

For many jazz fans and historians, there are two categories of jazz singers: Billie Holiday and everyone else. Thomas Cunniffe has a similar rating system for Billie Holiday tribute albums: there's Carmen McRae's and everyone else's. However, two new Holiday tributes by José James and Cassandra Wilson stand up well to comparisons with McRae's classic LP. The similarities and differences are discussed in this month's Sidetracks.

In this edition of our Sidetracks column, we introduce you to our newest writer, Nicky Schrire. A progressive jazz vocalist from South Africa, she now lives and works in New York. Here, she describes her experiences at a singers only jam session in the Big Apple.

In honor of the upcoming Summer equinox, Jazz History Online's principal writer has retrieved and revised one of his vintage articles, discussing 17 different of George Gershwin's "Summertime". Embedded YouTube clips are included, so grab an iced tea and take this article out on the porch.

Jazz History Online marks the new year with a summation of the year just passed. Thomas Cunniffe's Sidetracks essay discusses the highlights of concerts, books, DVDs, films, and CDs of 2012, and bids farewell to many great musicians who left our world in the past 12 months.

Jazz History Online marks the new year with a summation of the year just passed. Thomas Cunniffe's Sidetracks essay discusses the highlights of concerts, books, DVDs, films, and CDs of 2013, and bids farewell to many great musicians who left our world in the past 12 months.

Jazz History Online marks the new year with a summation of the year just passed. Thomas Cunniffe's Sidetracks essay discusses the highlights of concerts, books, DVDs, films, and CDs of 2014, and bids farewell to many great musicians who left our world in the past 12 months.

As 2015 comes to a close, Jazz History Online recognizes the best new and reissued CDs, DVDs and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2015.

As 2016 comes to a close, Jazz History Online recognizes the best new and reissued CDs, concerts and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2016.

As 2017 comes to a close, Jazz History Online recognizes the best new and reissued CDs, DVDs, concerts and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2017.

Paul Desmond's blazing improvisation on The Way You Look Tonight (from the Dave Brubeck Quartet's album Jazz at Oberlin) has long been considered one of the saxophonist's greatest solos. An alert JHO reader discovered that the solo was edited when transferred from 10 LP to EP and 12 LP. In this Sidetracks feature, Thomas Cunniffe notes that the edit completely changes the feel of the solo. Both versions are embedded in this article.

When the Saints Go Marchin' In is one of the oldest standards in the jazz repertory, and its origins are shrouded in mystery. In this month's Sidetracks column, Thomas Cunniffe notes a startling resemblance between the Saints and a crucial part of the Catholic Requiem Mass.

The June 9, 1945 Town Hall concert produced by Timme Rosenkrantz was ostensibly a celebration of small group swing, featuring Red Norvo, Gene Krupa, Bill Coleman, Teddy Wilson, Don Byas and Stuff Smith. However, there were elements of the newly emerging bebop style for anyone who was listening. Thomas Cunniffe discusses the music and tells of the concert's fascinating back story in this month's Sidetracks.

As if January wasn't depressing enough, jazz fans were told once again that their music represents only 2.3% of the US music market. To make things worse, the New Orleans Jazz and Heritage Festival announced this year's lineup--with a preponderance of rock and pop acts. Thomas Cunniffe considers the implications of these events in this month's Sidetracks.