Sidetracks

  • Camille Bertault: The Girl on the Internet

    Since the summer of 2015, when she uploaded her remarkable scat version of John Coltrane’s Giant Steps, French jazz vocalist Camille Bertault has been an internet sensation. In this edition of Sidetracks, Bertault tells Thomas Cunniffe about the inspiration for that video, and her unique and varied background. The article includes four embedded videos (and…

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  • Ella Fitzgerald at 100

    2017 marks the 100th anniversary of Ella Fitzgerald’s birth, and the occasion is being marked with a plethora of reissues, compilations and tributes. In this special Sidetracks article, Thomas Cunniffe pays homage to the First Lady of Song with an appreciation of her art, and an overview of this spring’s salutes.

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  • The Essence of Billie

    For many jazz fans and historians, there are two categories of jazz singers: Billie Holiday and everyone else. Thomas Cunniffe has a similar rating system for Billie Holiday tribute albums: there’s Carmen McRae’s and everyone else’s. However, two new Holiday tributes by José James and Cassandra Wilson stand up well to comparisons with McRae’s classic…

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  • Jazz and Standup Comedy

    Standup comedians like Mort Sahl, Lenny Bruce, Woody Allen and Bill Cosby have readily acknowledged the influence of jazz in their work but few comedians talked about the music in their acts. There were a few exceptions, and Thomas Cunniffe shares them in this month’s Sidetracks.

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  • We…Are…The 2.3 Percent!

    As if January wasn’t depressing enough, jazz fans were told once again that their music represents only 2.3% of the US music market. To make things worse, the New Orleans Jazz and Heritage Festival announced this year’s lineup–with a preponderance of rock and pop acts. Thomas Cunniffe considers the implications of these events in this…

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  • The Enigma of Jeri Southern

    One of the most revered vocalists of the 1950s, Jeri Southern created a series of acclaimed LPs and then abruptly stopped performing and recording. Thomas Cunniffe explores her minimalist style and her recorded legacy in this month’s edition of Sidetracks.

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  • Summation 2018

    As 2018 comes to a close, Jazz History Online recognizes the best new and reissued CDs, DVDs and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2018.

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  • Remembering Susannah

    Few singers could discover the inner meaning of a lyric like Susannah McCorkle. A self-described hopeless romantic, she thoroughly researched the songs she performed, and sometimes added long-forgotten lyrics to her arrangements. McCorkle committed suicide in 2001, but her memory lives on through a newly-released live recording from Berlin. Thomas Cunniffe, who once interviewed McCorkle,…

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  • Dave Brubeck’s “Koto Song”

    Of all Dave Brubeck’s compositions, none have been as completely transformed as Koto Song. Thomas Cunniffe examines 11 Brubeck recordings of the piece and notes the gradual evolution of this delicate masterwork. All of the pieces can be heard through an embedded audio playlist and a video.

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  • Attracting the Lost Generations

    Despite a wealth of historical material on the internet, there are many otherwise well-educated people who are unaware of great musicians like Louis Armstrong and Duke Ellington. In this Sidetracks commentary, Thomas Cunniffe urges jazz fans to introduce newcomers to the music before our legacy vanishes.

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