There is a special challenge inherent in composing for a small jazz ensemble. The composer must leave enough room for improvisation but not stifle his/her own creative impulses. Thomas Cunniffe reviews three new albums primarily comprised of original music which secure that delicate balance. Led by Anat Cohen, Tom Harrell and Skip Wilkins, the discs feature prime examples of progressive jazz compositions.
FOCUS ON COMPOSITIONS Read More »
The four albums in this month’s vocal CD reviews feature artists who look backward and forward at the same time. “Somewhere”, the new disc from Peter Eldridge and Kenny Werner sounds like a classic vocalist-with-strings date but most of the music is new. On “Thirsty Ghost”, Sara Gazarek uses an eclectic selection of pop and jazz songs to comment on events from her personal life. Maggie Herron offers fresh interpretations of standards written over a 100-year span on “Renditions”, and the New York Voices’ “Reminiscing in Tempo” finds the group using jazz standards to explore new directions in their musical sphere. Thomas Cunniffe reviews the results.
REMINISCING AND RE-EVALUATING Read More »
Blue Note Records stood apart from nearly every other American label for its dedication to artistic freedom and its disinterest in creating hit records. The company founders, Alfred Lion and Francis Wolff, shared a deep love for jazz, despite possessing little technical knowledge of the music. After immigrating to the US from Nazi Germany, they
THE BLUE NOTE STORY (ON VIDEO) Read More »
Don’t let the Playboy moniker throw you: The album under review does include a gatefold cover, but there are no nude photos inside. “The Playboy Jazz All-Stars, Volume 2” collected tracks by the winners of the magazine’s 1958 jazz poll, and aside from a few misogynist remarks in the liner notes, the album is completely family-friendly. In fact, it was one of the first jazz albums that the teenaged Thomas Cunniffe ever heard. In this Retro Review, he recalls this recording, his growing love of the music, and a very special Christmas present.
“THE PLAYBOY JAZZ ALL-STARS, VOLUME 2” (LP: Playboy PB 1958) Read More »
Johnny Hodges was a private man who disliked giving interviews. Self-taught on both alto and soprano saxophones, he was not particularly well-versed on the mechanics of music, and the fear of being asked to explain elements of his personal style may have been his reason for keeping the press at arm’s length. In his new Hodges biography, “Rabbit’s Blues”, Con Chapman explores many of the stories about the enigmatic saxophonist. However, reviewer Thomas Cunniffe was disturbed by the book’s lack of musical discussions, so he has amended this Book Review with five embedded YouTube clips featuring some of Hodges’ finest solos.
“RABBIT’S BLUES” (by Con Chapman) Read More »
How to support your favorite jazz website (three guesses which one!) plus information about this issue’s brand new articles.
NOTES FROM THE EDITOR 9-19 Read More »
For Ann Hampton Callaway, her “Jazz Goes to the Movies” concerts are more than just misty-eyed trips down memory lane. As she explained to the audience at Vail Square on July 25, 2019, the music explores dreams, both as wish fulfillment and as a salve for a troubled world. In an 18-song, two-act show, she
ANN HAMPTON CALLAWAY AT VAIL SQUARE (July 25, 2019) Read More »
It’s amazing what treasures can be found within a record company vault. In this month’s Retro Review, Thomas Cunniffe discusses two double-CD sets of previously unreleased 1960s recordings by a pair of iconic tenor saxophonists. “Getz at the Gate” is a 1961 live date with Stan Getz at his most aggressive (powered by the phenomenal Roy Haynes), and “Grits, Beans and Greens” presents two contrasting recording sessions led by Tubby Hayes.
NEWLY-RELEASED JAZZ (FROM THE 1960s) Read More »
The term “standards” can mean different things to different artists. On Holly Cole’s new CD, it refers to the Great American Songbook. Nancy Kelly, Jenna McLean and the Anöna Trio mix pop and jazz standards on their discs, and on the Tierney Sutton Band’s latest release, the term embraces a wide variety of movie music. Thomas Cunniffe reviews all of the above CDs in this month’s Vocal CD Reviews.
STANDARDS…OF MANY KINDS Read More »
Ryan Keberle’s outstanding group Catharsis has won wide acclaim in recent years for its superb ensemble work, commitment to collective improvisation and strong political stance. In this feature review, Thomas Cunniffe reviews the band’s latest disc, alongside albums led by two members of Catharsis’ front line, Scott Robinson and Camila Meza.
CATHARSIS: APART AND TOGETHER Read More »
“It takes a village to raise a jazz musician, and one reason Detroit has produced so many front-rank players is that the villagers are as hip as they come.” This sentence from Mark Stryker’s new book “Jazz from Detroit” is an apt summary of the city’s contribution to jazz. In this month’s Book Review, Thomas Cunniffe explores Stryker’s history, which traces the Motor City jazz scene from the bebop era to the present day.
JAZZ FROM DETROIT (by Mark Stryker) Read More »
Hello everyone— It’s Jazz History Online’s 8th anniversary! Eight years seems to be an eternity on the internet, but this site has survived despite many setbacks and hardships. I’m grateful to all of the readers and supporters for keeping this online magazine alive. This issue is a little smaller than normal, owing to some personal
NOTES FROM THE EDITOR 7-19 Read More »
This issue’s Retro Review tells of two superb vocalists whose careers took different paths in the late 80s and early 90s. Lisa Rich was a rising singer with a new album ready for release when health problems sidelined her career. Betty Carter was at the zenith of her career, and was celebrated in a career retrospective at Jazz at Lincoln Center. The recordings have received belated releases, and Thomas Cunniffe discusses both in this essay.
DIVERGENT CAREER PATHS Read More »
While universities do a credible job of training young jazz musicians for successful careers, the one course usually missing from the curriculum might be the most beneficial: “The Road 101”. Elisabeth Lohninger comes to the rescue with “Singer’s Survival Guide to Touring”, a comprehensive guide to life on the road. In his book review, Thomas Cunniffe notes that while the book is designed for vocalists, much of the information is equally applicable to instrumentalists.
SINGER’S SURVIVAL GUIDE TO TOURING (by Elisabeth Lohninger) Read More »