As we enter the 20th year of the 21st century, two new books focus on jazz in the new millennium. In this Book Review, Thomas Cunniffe notes that neither Bill Beuttler’s “Make it New” nor Abby Mendelson’s “Spirit to Spirit” are perfect books, but they may well become valuable resources for further scholars.
JAZZ IN THE 21ST CENTURY Read More »
A letter from editor and publisher Thomas Cunniffe on how you can support JHO through the arts site, Patreon.
BECOME A PATREON MEMBER OF JAZZ HISTORY ONLINE Read More »
Jazz History Online’s annual recap of the year in jazz. Includes listings of the year’s best books, concerts, and CDs, and a memorial for those jazz musicians and supporters who died in the past year.
In a holiday-themed concert at Popejoy Hall in Albuquerque, The Swingles proved once again that they are without equals among vocal groups. While the group was able to overcome the temporary loss of one member when they sang in Lakewood Colorado last March, their concert in Albuquerque found the entire group present and in splendid voice. In this concert review, Thomas Cunniffe reports that while The Swingles are still in transition, they are at the top of their game performing a wide variety of arrangements (including some dating back to the group’s early years)
THE SWINGLES AT POPEJOY HALL, ALBUQUERQUE, NM (December 19, 2019) Read More »
In discovering a unique repertoire, jazz musicians (both instrumentalists and vocalists) must search to find their own proper combination of standard and original material. If the two are not balanced, a musician can be unfairly labeled as either a cover artist or too esoteric. In this month’s Vocal CD Reviews, Thomas Cunniffe examines four self-released discs by artists who are searching for that elusive formula.
THE PROPER COMBINATION Read More »
Artists of all kinds strive for a direct connection with their audiences (basically, where thoughts move from their mind to yours)_. Until the day when telepathic communication becomes the norm, solo performances are the closest equivalents, with only an instrument, a communication method and our comprehension. In this month’s Instrumental CD Reviews, Thomas Cunniffe discusses three new solo piano recordings where the artist’s emotions and motivations are clearly expressed in their music.
Of all popular music genres, the love song may be the most venerable. A new Blu-Ray/CD concert recording, “A Romantic Evening with Jackie Allen” displays how the brilliant Midwestern songstress brings deeper meaning and great expression to a wide variety of love songs written between the 1930s and the 1980s. In his review, Thomas Cunniffe notes that the concert video is currently playing in a shortened version on PBS, but that the 2-disc set is a worthy purchase for its additional music and insights.
“A ROMANTIC EVENING WITH JACKIE ALLEN” (AvantBass Blu-Ray & CD) Read More »
In addition to being one of the world’s greatest popular vocalists, Nat King Cole was also an important jazz pianist in the years between swing and bebop. Many of Cole’s earliest recordings were made for radio transcription companies rather than commercial labels, but that didn’t stop Cole from leaving a group of recordings that showed his development as both an instrumentalist and a vocalist. A new set from Resonance collects 183 tracks recorded between 1936 and 1943, and reviewer Thomas Cunniffe notes that modern listeners will be able to hear stylistic developments and artistic breakthroughs that the original audiences probably missed.
NAT KING COLE: “HITTIN’ THE RAMP” (Resonance 2042) Read More »
Dave Brubeck frequently related the story that the businessmen at Columbia Records fought against the release of “Time Out”, feeling it would be a commercial flop. Fortunately, Brubeck had an important supporter in Columbia’s president, Goddard Lieberson. When the album was released and sales went through the roof, Brubeck was accused of going commercial! A new monograph by Stephen A. Crist examines the history and legacy of Brubeck’s signature album. Thomas Cunniffe reviews the book.
DAVE BRUBECK’S “TIME OUT” (by Stephen A. Crist) Read More »
The supertrio of Chick Corea, Christian McBride and Brian Blade has so much musical experience that their concert performances can–and frequently do–go in many different directions. At a recent performance at Macky Auditorium, the group used compositions by jazz giants to illustrate its expansion of the trio style. However, “Trilogy 2”, the double CD documenting the group’s last world tour, offers a freer approach and a (mostly) different repertoire. Thomas Cunniffe reviews both the concert and the CD in this special combined review.
CHICK COREA/CHRISTIAN McBRIDE/BRIAN BLADE AT MACKY AUDITORIUM (Boulder; October 9, 2019) Read More »
Hello everyone– I hope that you are all having a happy holiday season. It has been a busy time here at the JHO offices, and as a result, we will have two issues this month! The second will appear on December 31 with the publication of our 2019 summation, along with several new reviews. “Music
NOTES FROM THE EDITOR 12-19a Read More »
In “Antony and Cleopatra”, Shakespeare wrote, “Age cannot wither her, nor custom stale, her infinite variety”. The words were originally a tribute to the Egyptian queen, but they have special significance in the career of jazz vocalist Veronica Swift. Thomas Cunniffe explores the music and life of this multi-talented young lady in this JHO Profile.
VERONICA SWIFT: “HER INFINITE VARIETY” Read More »
The 25th Vail Jazz Party featured its usual mix of returning and new artists, several new recurring performances, a new venue for the Party’s most popular event, and an energetic festival staff that is building on the Vail legacy to create new and exciting additions to the existing festival. Thomas Cunniffe’s review is accompanied with photos from several fine photographers.
VAIL JAZZ PARTY (August 29-September 2, 2019) Read More »
There is a special challenge inherent in composing for a small jazz ensemble. The composer must leave enough room for improvisation but not stifle his/her own creative impulses. Thomas Cunniffe reviews three new albums primarily comprised of original music which secure that delicate balance. Led by Anat Cohen, Tom Harrell and Skip Wilkins, the discs feature prime examples of progressive jazz compositions.
FOCUS ON COMPOSITIONS Read More »