Roy Eldridge and Norman Granz first met in 1942. Eldridge was already a star but Granz was still living on limited means. A few years later, Granz bolstered Eldridge’s stature by featuring him in concerts and recordings. In this Retro Review, Thomas Cunniffe examines a seminal collection of 4 collaborations between Eldridge and Oscar Peterson, produced by Granz, from a classic double-LP compilation, “Dale’s Wail”.
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This issue’s Retro Review covers three new discoveries, including a pair of highly interactive duo concerts by Roy Hargrove and Mulgrew Miller, three Seattle nightclub sets from the 1960s by Harold Land, and the recording debut of Sheila Jordan. Thomas Cunniffe reviews these instant classics.
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After several delays, Mosaic has finally released “The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions”. If anything, it is even more fascinating that the live set they released several years ago. As he did with the previous Mosaic Armstrong box, Thomas Cunniffe reviews the new set in depth with detailed information on each session.
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The four albums spotlighted in this month’s Retro Review offer new insights into the music of Dave Brubeck, Ella Fitzgerald, Charles Mingus and Sonny Rollins. Each recording adds previously unissued music which help to fill gaps in their legacy. Thomas Cunniffe highlights these important recordings.
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It was hot in the summer of 1960, but it wasn’t all due to the weather. Civil Rights was a regular topic on the evening news. With racial inequality still part of our daily lives in 2020, Thomas Cunniffe felt that it was appropriate to re-examine Charles Mingus’ explosive concert at Antibes from July 1960, featuring Ted Curson, Eric Dolphy, Booker Ervin, Dannie Richmond and special guest Bud Powell.
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Lennie Tristano and Lee Konitz were constantly grouped together because of their decades-long association: first as teacher and pupil, then as leader and sideman. It may seem surprising that they never made a duet recording together, but soon after their last gig together, both men started an album of duets…with other musicians. In this Retro Review, Thomas Cunniffe discusses the classic “Lee Konitz Duets” and the new Tristano release “Duo Sessions”.
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While most of Tubby Hayes’ recordings have been reissued in recent years, his important recordings for the Fontana label have been in and out of print since their original issues. With the success of the recently rediscovered “Grits, Beans and Greens” sessions, Universal Music has finally reissued all of Hayes’ Fontana albums as deluxe CD and LP box sets. Thomas Cunniffe offers a detailed summation of the 13-CD set in this extended Retro Review.
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In addition to being one of the world’s greatest popular vocalists, Nat King Cole was also an important jazz pianist in the years between swing and bebop. Many of Cole’s earliest recordings were made for radio transcription companies rather than commercial labels, but that didn’t stop Cole from leaving a group of recordings that showed his development as both an instrumentalist and a vocalist. A new set from Resonance collects 183 tracks recorded between 1936 and 1943, and reviewer Thomas Cunniffe notes that modern listeners will be able to hear stylistic developments and artistic breakthroughs that the original audiences probably missed.
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Don’t let the Playboy moniker throw you: The album under review does include a gatefold cover, but there are no nude photos inside. “The Playboy Jazz All-Stars, Volume 2” collected tracks by the winners of the magazine’s 1958 jazz poll, and aside from a few misogynist remarks in the liner notes, the album is completely family-friendly. In fact, it was one of the first jazz albums that the teenaged Thomas Cunniffe ever heard. In this Retro Review, he recalls this recording, his growing love of the music, and a very special Christmas present.
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It’s amazing what treasures can be found within a record company vault. In this month’s Retro Review, Thomas Cunniffe discusses two double-CD sets of previously unreleased 1960s recordings by a pair of iconic tenor saxophonists. “Getz at the Gate” is a 1961 live date with Stan Getz at his most aggressive (powered by the phenomenal Roy Haynes), and “Grits, Beans and Greens” presents two contrasting recording sessions led by Tubby Hayes.
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