Now appearing in abbreviated form due to COVID-19 travel restrictions, Jazz History Online’s Concert Journal continues to cover the finest jazz concerts from the Eastern US. Thomas Cunniffe is your guide to the wide variety of jazz performed from Boston to DC.
More
Hello, everyone, I hope that you’ve all had a lovely holiday season. As we enter 2022, there’s a lot of uncertainty about how the COVID-19 pandemic will affect our lives. As usual, none of the experts can agree, so we’ll just have to take this year as it comes, and hope that it’s much better […]
More
2021 was a roller coaster of a year, filled with contradictions and false starts. However, there was great music performed live and on disc, plus excellent historical reissues and books. We note these accomplishments, and say farewell to those who left us in this year’s Summation.
More
The tribute albums featured in this issue’s CD Reviews were created by artists living far away from the cultural centers of New York and Los Angeles. Jackie Allen and Hans Sturm salute musicians born in the Cornhusker State in “The Nebraska Project”, Anat Cohen and Marcello Goncalves explore the MPB songbook on “Reconvexo”, Cyrille Aimee, Adonis Rose and the New Orleans Jazz Orchestra join forces to examine the cultural connections between New Orleans and France, and David Sanford’s big band pays homage to Dizzy Gillespie and Lester Bowie on “Prayer for Lester Bowie”. Thomas Cunniffe offers his reactions to these superb albums.
More
When drummer Joe La Barbera was hired as the newest member of the Bill Evans trio in January 1979, he knew that Evans had a long-standing addiction to drugs. Evans died of his addiction just 19 months later, while La Barbera was still with the band. The triumphs and tribulations of that final edition of the Evans trio (with Marc Johnson on bass) are the subjects of La Barbera’s frank and touching memoir, “Times Remembered: The Final Years of the Bill Evans Trio” (University of North Texas Press). Thomas Cunniffe offers his reactions to the memoir in this month’s Book Review.
More
Roy Eldridge and Norman Granz first met in 1942. Eldridge was already a star but Granz was still living on limited means. A few years later, Granz bolstered Eldridge’s stature by featuring him in concerts and recordings. In this Retro Review, Thomas Cunniffe examines a seminal collection of 4 collaborations between Eldridge and Oscar Peterson, produced by Granz, from a classic double-LP compilation, “Dale’s Wail”.
More
Django Reinhardt is widely acclaimed as the first non-American jazz musician to develop a unique solo style. Yet, his earliest recordings with the Quintette of the Hot Club of France show that the guitarist was still learning jazz licks and grasping the concept of solo construction. Within five years, Reinhardt was indeed a master soloist, working within the jazz language without sacrificing the sound of his Roma heritage. Thomas Cunniffe traces Reinhardt’s development through a 12-song embedded playlist in this Historical Essay.
More
In mid-November 2021, Thomas Cunniffe and a long-time friend from Colorado attended a series of 7 concerts spread over 10 days. The experience illustrated the culture deeply embedded in the Northeastern US. In this extended Concert Review, Cunniffe discusses all of the concerts in the tour.
More
Following on the artistic successes of her previous album, Canadian vocalist, poet and composer Lara Solnicki has created a challenging new project, “The One and the Other” which mixes elements of progressive jazz, art song, poetry and symbolism. In this exclusive JHO interview, Solnicki and Thomas Cunniffe discuss the background and content of the album.
More
After a busy summer covering jazz concerts on the East Coast, Jazz History Online’s Thomas Cunniffe traveled to Chicago and caught performances by several of the Windy City’s finest local musicians…plus one notable alumni, Herbie Hancock. In this special essay review, Cunniffe discusses each concert, as well as a special memorial for the late Penny Tyler.
More