Jazz History Online’s new feature, Concert Journal, offers capsule reviews of performances from various locations up and down the Atlantic seaboard. This regularly updated column is part of JHO’s new focus on live performance. Thomas Cunniffe acts as reviewer and guide.
CONCERT JOURNAL (Spring/Summer 2021) Read More »
Hello everyone– Welcome to the spring edition of Jazz History Online. Sorry for the delay in getting this issue to you, but as we all know, deliveries have been very slow lately, and I simply can’t review materials if I don’t have them! I’ve also taken on extra freelance work (including COVID-19 tracing and book
NOTES FROM THE EDITOR (05-21) Read More »
By a happy and well-timed coincidence, the JHO mailbox has been filled with new discs by outstanding vocalists, all of whom have been previously featured on the site. With our 10th anniversary coming up this July, here are Thomas Cunniffe’s reviews of new CDs by Roseanna Vitro, Jane Monheit, Gretchen Parlato, Alyssa Allgood and Veronica Swift.
In what we hope will be the final installment of this series, Thomas Cunniffe reviews 5 new discs released during the pandemic. Included are Franco Ambrosetti’s “Lost Within You”, Jane Ira Bloom & Mark Helias’ “Some Kind of Tomorrow”, Noah Haidu’s “Slowly: Song for Keith Jarrett”, Jon-Erik Kellso’s “Sweet Fruits, Salty Roots” and Chris Pattishall’s “Zodiac”.
JAZZ IN THE TIME OF COVID-19 (May 2021) Read More »
Live music and venues were one of the first casualties of the COVID-19 pandemic, and while some venues are reopening with reduced seating capacity, it may be several months before we can all enjoy an evening at a nightclub. Jeff Gold’s new book “Sittin’ In” offers an unusual look at the legendary clubs of the past, with rare souvenir photos, menus and handbills. In his review, Thomas Cunniffe notes that the timing for this book could not be better.
“SITTIN’ IN: JAZZ CLUBS OF THE 1940s & 1950s” (by Jeff Gold) Read More »
After several delays, Mosaic has finally released “The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions”. If anything, it is even more fascinating that the live set they released several years ago. As he did with the previous Mosaic Armstrong box, Thomas Cunniffe reviews the new set in depth with detailed information on each session.
Happy New Year, everyone (yes, I know we’re late)! Welcome to the year-end/new year edition of Jazz History Online. This issue was supposed to be published on December 31, but 2020 had one final trick to pull. I was posting a set of reviews to the site on December 30, and noticed that a number
NOTES FROM THE EDITOR (01-21) Read More »
2020 is FINALLY over! Jazz History Online presents its lists of the best CDs, reissues and books, plus a solemn remembrance of those jazz masters who passed away.
2020: THE SUMMATION Read More »
In a continuing series, Jazz History Online devotes its CD Review section to discs issued during the pandemic. Thomas Cunniffe reviews 6 discs this time, including Dave Douglas’ “Overcome”, Fred Hersch’s “Songs from Home”, Carla Marciano’s “Psychosis”, The Royal Bopsters’ “Party of Four”, Matt Wilson’s “Hug!” and Martin Wind’s “White Noise”.
JAZZ IN THE TIME OF COVID-19 (December 2020) Read More »
The four albums spotlighted in this month’s Retro Review offer new insights into the music of Dave Brubeck, Ella Fitzgerald, Charles Mingus and Sonny Rollins. Each recording adds previously unissued music which help to fill gaps in their legacy. Thomas Cunniffe highlights these important recordings.
NEW MUSIC FROM OLD MASTERS Read More »
Known amongst his colleagues as “Rickipedia”, Ricky Riccardi is the go-to man for all things pertaining to Louis Armstrong. His first Armstrong biography, “What a Wonderful World” reappraised the jazz icon’s later years (1947-1971). His newest addition is “Heart Full of Rhythm”, which discusses Armstrong’s equally-misunderstood big band era (1929-1947). Thomas Cunniffe’s review of the new book notes that Riccardi has grown as an author and historian since the earlier volume, and that while he has not lost his enthusiasm for his subject, his arguments are guided by scholarship rather than jingoism.
HEART FULL OF RHYTHM” (by Ricky Riccardi) Read More »
For about 6 months in the middle of 1968, pianist Bill Evans led a remarkable trio featuring bassist Eddie Gomez and drummer Jack DeJohnette. Up until now, the only recordings that existed of this group were the Grammy-winning LP Bill Evans at the Montreux Jazz Festival and a handful of bootleg recordings. In this Historical Essay, Thomas Cunniffe discusses the group’s recordings (including a newly released–and previously unknown studio session) as well as a rare TV broadcast.
The 1968 Bill Evans Trio with Eddie Gomez & Jack DeJohnette Read More »
Hello everyone— Welcome to the new edition of Jazz History Online, now emanating from our new permanent headquarters in Wilmington, Delaware. Many of you have asked why I decided on Wilmington. It was the usual real estate combination: price and location. Apartment rents are much lower here than most cities on the East Coast (and
NOTES FROM THE EDITOR (09-20) Read More »
It was hot in the summer of 1960, but it wasn’t all due to the weather. Civil Rights was a regular topic on the evening news. With racial inequality still part of our daily lives in 2020, Thomas Cunniffe felt that it was appropriate to re-examine Charles Mingus’ explosive concert at Antibes from July 1960, featuring Ted Curson, Eric Dolphy, Booker Ervin, Dannie Richmond and special guest Bud Powell.
MINGUS AT ANTIBES (Atlantic 3001 [LP]/Rhino 72871 [CD]) Read More »