From the Editor 12-12
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-12 Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-12 Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-15 Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-16 Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-17a Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-17b Read More »
Jazz History Online: dedicated to the finest in jazz–past and present.
From the Editor 12-18 Read More »
In the early 1920s, future jazz giants like Louis Armstrong, Jelly Roll Morton and Bix Beiderbecke endured long train rides to record for a tiny company in rural Indiana. Rick Kennedy’s newly expanded and revised book Jelly Roll, Bix and Hoagy offers the history of Gennett Records with discussions of their jazz, country and blues recordings. Thomas Cunniffe provides his impressions in this month’s book review.
Jelly Roll, Bix and Hoagy (by Rick Kennedy) Read More »
The mixing of jazz with other genres is nothing new. Louis Armstrong’s majestic solo finales have been linked to Italian opera, Django Reinhardt freely borrowed from gypsy music, and the entire movements of Third Stream and fusion were based on the combination of styles. This month, Thomas Cunniffe reviews the latest recordings of three vocalists who create new composites of existing genres.
Male jazz vocalists are a rare commodity these days, but performers like Kurt Elling, Allan Harris and John Proulx enhance jazz with their unique approaches to the music. Thomas Cunniffe reviews the latest albums from these fine gentlemen of song.
Gentlemen Songsters Read More »
As the quintessential summit meeting between American and Brazilian artists, Getz/Gilberto was both an artistic and commercial success. For the 50th anniversary of its release, Verve has issued an new CD edition. Thomas Cunniffe writes that the original stereo album sounds better than ever, but finds the supplemental section lacking in imagination.
Stan Getz & Joao Gilberto: “Getz/Gilberto” (50th Anniversary) (Verve 20749) Read More »
Following his 1961 big band masterpiece, Out of the Cool, Gil Evans defied expectations with his next album, Into the Hot. Evans acted only as producer, allowing John Carisi and Cecil Taylor to showcase their music. Amy Duncan reviews this classic album which contrasts Carisi’s progressive big band charts with Taylor’s avant-garde ensemble.
Gil Evans: “Into The Hot” (orig. LP: Impulse 9; CD: Impulse 39104) Read More »
The title of Ted Gioia’s new book might strike many long-time jazz fans as too elementary for their needs. However, JHO book reviewer Thomas Cunniffe asserts that How to Listen to Jazz should be required reading for all jazz fans, because Gioia proves that the best way to revitalize our own passions for jazz is to share the music with others. Gioia recalls his early experiences with the music, and then applies his thirty years of experience as a critic and historian to clarify and amplify these events.
How to Listen to Jazz (by Ted Gioia) Read More »
Ted Gioia is one of today’s finest music historians. Since he usually focuses on American music, it’s a little surprising that his latest book Love Songs is not limited to modern love songs, but is a comprehensive history of the subgenre going back to the 23rd century BC. Thomas Cunniffe’s review states the book contains many fascinating and controversial theories, but that the section on American music should have been expanded.
Love Songs: The Hidden History (by Ted Gioia) Read More »
With her new film, The Girls in the Band, director Judy Chaikin achieves the near-impossible: a comprehensive history of women jazz instrumentalists in under 90 minutes. Thomas Cunniffe reports that the film contains more information about the multi-racial International Sweethearts of Rhythm than many earlier sources, and it offers an admirable survey of current female instrumentalists.
The Girls in the Band (Artist Tribe/One Step) Read More »