Author name: Thomas Cunniffe

The Essence of Billie

For many jazz fans and historians, there are two categories of jazz singers: Billie Holiday and everyone else. Thomas Cunniffe has a similar rating system for Billie Holiday tribute albums: there’s Carmen McRae’s and everyone else’s. However, two new Holiday tributes by José James and Cassandra Wilson stand up well to comparisons with McRae’s classic LP. The similarities and differences are discussed in this month’s Sidetracks.

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For Our Jazz Heroes

This month’s instrumental CD reviews are all (in one form or another) tributes to jazz giants. Thomas Cunniffe reviews Marc Cary’s salute to his former boss, Abbey Lincoln, Eli Yamin and Evan Christopher’s homage to a wealth of jazz heroes, Eddie Daniels and Roger Kellaway’s live performances of Ellington and Hush Point’s debut CD which examines the continuum between cool and free jazz.

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Four Jazz Masters

It’s been about six years since pianist Renee Rosnes and saxophonist Lew Tabackin released albums under their own names, but each of them has a new disc out, and as Thomas Cunniffe notes in his reviews, both albums were worth the wait. Also reviewed is a collection of 2005 duets by trumpeter Kenny Wheeler and pianist John Taylor. The album was originally issued as a memorial to Wheeler, but by the time of its release, Taylor had also passed away.

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Frank Sinatra on the Radio

To celebrate the 100th anniversary of Frank Sinatra’s birth, Sony Music and the Smithsonian Institute have released a total of 5 CDs featuring radio performances spanning the first two decades of the legendary vocalist’s career. In this month’s Retro Review, Thomas Cunniffe reviews both the Sony 4-CD set and the Smithsonian single disc package, noting that the recordings offer a rare opportunity to hear Sinatra performing songs he never officially recorded.

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Frankie Newton: The Forgotten Trumpeter (part I)

Despite appearing on some of the greatest jazz records of the 1930s, and possessing one of the most personal sounds in jazz history, trumpeter Frankie Newton is barely remembered today. His biography is filled with contradictory information, and his discography has several mysterious gaps. Thomas Cunniffe sorts out the conflicting details and discusses all of Newton’s recordings in this special 2-part Historical Essay.

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Frankie Newton: The Forgotten Trumpeter (Part I)

Despite appearing on some of the greatest jazz records of the 1930s, and possessing one of the most personal sounds in jazz history, trumpeter Frankie Newton is barely remembered today. His biography is filled with contradictory information, and his discography has several mysterious gaps. Thomas Cunniffe sorts out the conflicting details and discusses all of Newton’s recordings in this special 2-part Historical Essay.

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Good Things Come Slowly: A Life In and Out of Jazz (by Fred Hersch)

Like most autobiographies, “Good Things Happen Slowly” is a story of discovery and identity. However, as the subject is Fred Hersch, this book tells of the more-or-less simultaneous emergence of two distinct (and for some, incongruous) character traits, that of a gay man and of a jazz pianist. Thomas Cunniffe reviews this touching memoir, notable for its candor and understated tone.

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Fred Hersch: “My Coma Dreams” (Palmetto)

Like most people, Fred Hersch doesn’t remember his dreams. But the dreams he envisioned while in a medically-induced coma were so vivid, he described them in detail after he regained consciousness. Those dreams, and the story of his illness, are part a of a hybrid jazz/theatre work called My Coma Dreams. Thomas Cunniffe reviews the newly released DVD of a performance at Columbia University.

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Fred Hersch Trio: “Sunday Night at the Vanguard” (Palmetto 2183)

The live recording sessions for the new Fred Hersch Trio CD Sunday Night at the Vanguard were nearly canceled, until Hersch changed his mind at the group’s initial sound check earlier in the week. It’s a good thing that he did. The album features the astounding music primarily created during a single set at the storied Greenwich Village club. Thomas Cunniffe’s feature review focuses on the ensemble work of this extraordinary trio.

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