CD Reviews

Celebrating the Living

Every year, we lose more of the great jazz masters, and predictably, the tribute albums turn up within the next year. While many of these tribute albums are well-made, they are ultimately too late. This month, Thomas Cunniffe examines three albums which celebrate living musicians, and notes that on two of the CDs, the honorees perform alongside their admiring colleagues.

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Crossroads

All four of the recordings covered in this month’s vocal CD reviews feature established singers at an artistic crossroads. Cyrille Aimée’s live album catches her group just before they disbanded, while Amy Cervini, Keri Johnsrud and Allegra Levy all explore music new to their discographies. Thomas Cunniffe reviews these superb albums.

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Dynamics of the Duo

The duo (or duet) remains one of the most venerable formats for jazz performance. The form defies any strict rules, so that the only necessary ingredients are two musicians who want to work together and can share the same jazz language. Thomas Cunniffe reviews two diverse albums from Anat Cohen & Fred Hersch, and Nadje Noordhuis & James Shipp.

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Anat Cohen Abraça o Brasil (Anat Cohen Embraces Brazil)

In addition to being one of the best jazz clarinetists today, Anat Cohen is a particularly fine interpreter of Brazilian music. She has made several trips to Brazil over the past two decades, and one of her collaborators says that she plays Brazilian music with a perfect accent. Thomas Cunniffe reviews two new CDs of Brazilian music, which represents her greatest concentration to this unique musical heritage.

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Bebop and Beyond

If we place the origin of jazz sometime around 1905 and then place the emergence of bebop around 1945, we find that the music is about 113 years old, and bebop has been part of its language for 73 years—considerably over half of the music’s history. The three albums featured in this month’s instrumental CD reviews all owe much of their inspiration to the bebop masters. Thomas Cunniffe reviews the albums by Richie Cole, Christopher Hollyday and Bruce Barth.

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Embracing the Unexpected

Theoretically, surprise should be part of every jazz performance, but this month’s instrumental CDs offer plenty. Thomas Cunniffe and Ben Markley offer reviews of a Harry Allen/Scott Hamilton tenor duets that eschews the fever pitch of other such efforts, a rhythmically rich album by Joe Lovano’s Us Five and an understated interactive album by Ron Miles, Bill Frisell and Brian Blade.

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Finding Common Ground

It has been said that the music of the future will be a combination of different styles, rather than a new form of an established genre. In this month’s vocal CD reviews, Thomas Cunniffe discusses albums by Dena DeRose, Camila Meza, and Sofia Ribeiro which blend elements of seemingly disparate styles.

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For Our Jazz Heroes

This month’s instrumental CD reviews are all (in one form or another) tributes to jazz giants. Thomas Cunniffe reviews Marc Cary’s salute to his former boss, Abbey Lincoln, Eli Yamin and Evan Christopher’s homage to a wealth of jazz heroes, Eddie Daniels and Roger Kellaway’s live performances of Ellington and Hush Point’s debut CD which examines the continuum between cool and free jazz.

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Four Jazz Masters

It’s been about six years since pianist Renee Rosnes and saxophonist Lew Tabackin released albums under their own names, but each of them has a new disc out, and as Thomas Cunniffe notes in his reviews, both albums were worth the wait. Also reviewed is a collection of 2005 duets by trumpeter Kenny Wheeler and pianist John Taylor. The album was originally issued as a memorial to Wheeler, but by the time of its release, Taylor had also passed away.

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Fred Hersch Trio: “Sunday Night at the Vanguard” (Palmetto 2183)

The live recording sessions for the new Fred Hersch Trio CD Sunday Night at the Vanguard were nearly canceled, until Hersch changed his mind at the group’s initial sound check earlier in the week. It’s a good thing that he did. The album features the astounding music primarily created during a single set at the storied Greenwich Village club. Thomas Cunniffe’s feature review focuses on the ensemble work of this extraordinary trio.

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