Concert Reviews

JHO principal writer Thomas Cunniffe grew up in Greeley, Colorado and went to music school at that city’s University of Northern Colorado. Thus, he has a unique perspective on the annual UNC/Greeley Jazz Fesitival. Over the past four decades, he has seen it grow from a stream of performances by college big bands and combos held in a converted movie theater to a fully professional presentation featuring world-class artists. In his Concert Review, Cunniffe states that the 2017 edition may be one of the best he’s witnessed, not only for the stellar performances by Sheila Jordan, Aubrey Logan, Greg Gisbert, Dave Liebman, Jimmy Heath, and the Dizzy Gillespie Alumni Band, but also for a remarkable suite based on Shakespeare’s Romeo & Juliet.

The 46th annual Greeley Jazz Festival featured a remarkable array of guest artists including New York Voices, Ellis Marsalis, the Clayton-Hamilton Jazz Orchestra, Houston Person, Tamir Hendelman and Joey DeFrancesco. However, it was also a reunion of alumni from Greeley’s University of Northern Colorado Jazz Studies department. Thomas Cunniffe, who is one of those alumni, offers an extended review of the festival.

With the help of Dave Douglas, John Gunther, Aoife O’Donovan and Matt Flinner, Greg Garrison’s Improvised Roots shattered the traditional genres of American music with intriguing music that challenged both the musicians and the audience. Thomas Cunniffe reviews their performance at Denver’s Dazzle jazz club.

Music (and especially jazz) has the quality of a living organism, changing from night to night as its players find new avenues of expression. After a year of global touring, Gretchen Parlato and her band are recording live versions of songs previously issued on her studio albums. Nicky Schrire attended one of these live sessions in New York City, and offers this concert review.

Eric Gunnison was Carmen McRae’s accompanist for the last four years of her career. To honor McRae, Gunnison performed several of her signature songs at Denver’s Dazzle night club, featuring Ellyn Rucker’s vocals and McRae’s original trio arrangements. Thomas Cunniffe reviews the performance.

After enduring a decade of misguided criticism, Jane Monheit is now an established performer on the jazz scene. Thomas Cunniffe reviews a performance at the University of Denver that displayed Monheit as a worthy curator of the Great American Songbook.

In a reversal of Horace Greeley’s advice, Thomas Cunniffe went east this spring to examine the possibilities of relocation, meet several friends and hear a lot of live music. In this special Concert Review, Cunniffe reports on the eight sets of music he heard in just one week.

When an artist goes on the road to promote a new album, the sounds which come from the bandstand may be significantly different than what was captured in the studio. In the case of bassist/vocalist Katie Thiroux, those differences came from a change in the personnel of her touring group. Thomas Cunniffe reviews Thiroux’s live performance at the Denver nightclub, Nocturne, and compares the music played there to Thiroux’s new CD, Off Beat.

In what is fast becoming a holiday tradition, Kurt Elling performed a spectacular concert at Denver’s Soiled Dove. This year, he sang two separate sets, one of Holiday music (from his album The Beautiful Day) and the other featuring protest music (from The Questions and the new digital EP, The Questions–LIVE). Thomas Cunniffe reviews both concert sets and the live EP in this Concert Review.

In support of her newest album, Circle in a Square, vocalist Lauren Kinhan returned to Denver’s Soiled Dove for a performance which exhibited the depth of her musical world. Thomas Cunniffe, who considers Kinhan’s album her best to date, offers his views on both the CD and the concert.

Like John McNeil’s acclaimed quartet Hush Point, Ryan Keberle’s quintet Catharsis combines the aesthetics of cool jazz with the energy of contemporary music. With the intriguing front line of Keberle (trombone), Michael Rodriguez (trumpet) and Camila Meza (vocal and guitar), the group embraces the concepts of improvised counterpoint and simultaneous improvisation. Thomas Cunniffe reports on a live performance by this group at Denver’s Syntax Physic Opera, and offers a brief history of the ensemble.

For the opening night concert of the Greeley (Colorado) Jazz Festival presented the Swingle Singers and the Northern Colorado Voices. In his concert review, Thomas Cunniffe reports that the student group represented the finest of current vocal jazz trends, while the Swingles pointed the way to the future with their jaw-dropping performance.

In a rare Denver appearance, jazz guitar legend Jim Hall and his quartet performed subtle entrancing music for a sold-out crowd. In his review, Thomas Cunniffe reports that Hall’s improvised lines are as stunning as ever, and his group listens and responds like few others.

At the closing concert of the University of Colorado-Denver’s Guitar Fest, John Scofield and his trio offered a wide variety of styles in their single 80-minute set. Thomas Cunniffe was there, and he offers this concert review.