Charles Mingus was many things: a virtuoso bassist, a brilliant composer, an intriguing author, and a great personality. In his new interpretive biography Better Get It In Your Soul, Krin Gabbard separates Mingus’ different elements. Thomas Cunniffe notes the strengths and weaknesses of Gabbard’s approach in this Book Review.
Better Git It In Your Soul (by Krin Gabbard) Read More »
The Modern Jazz Quartet’s stage manners were always immaculate. Dressed in tuxedos or fine crafted suits, they projected an air of dignity usually reserved for string quartets. However, on one night in Tokyo, they let themselves loose, and in the process created some of the most memorable performances of their repertoire. The concert was recorded by TBS Radio in Japan, and issued on the Japanese Atlantic imprint, but it was never issued in the US. In this Retro Review, Thomas Cunniffe examines this unique entry in the MJQ discography.
Modern Jazz Quartet: “Concert in Japan ’66” (Atlantic [Japan] 1027-1028) Read More »
One of the reasons for the Modern Jazz Quartet’s longevity was the wide appeal of their music. Cool jazz adopted them as their own for the fugues and Third Stream works, while boppers could appreciate their strong roots in the blues. Mosaic’s 7-CD collection of the MJQ’s studio albums from 1956-1964 offers generous helpings of the group’s wide repertoire. In his review, Thomas Cunniffe notes that a companion volume of the MJQ live would complete the picture.
The Complete Atlantic Studio Recordings of the Modern Jazz Quartet (Mosaic 249) Read More »
The Modern Jazz Quartet was never as stuffy as their critics claimed. Their music changed and evolved subtly through concerts and recordings. Lost Tapes, a new CD of recordings from Germany offers the opportunities for fresh comparisons, and in this Retro Review, Thomas Cunniffe traces the changes in MJQ arrangements through this and previously released albums.
Modern Jazz Quartet: “Lost Tapes” (JazzHaus 101731) Read More »
The 1962 LP Money Jungle brought together the prototypical power trio: Duke Ellington, Charles Mingus and Max Roach. The personal tensions between these giant personalities was reflected in the music, which was less like sparks flying and more like landmine explosions. In this Retro Review, Thomas Cunniffe examines this classic recording and a new tribute album by Terri Lyne Carrington.
Two Trips Through The “Money Jungle” Read More »
Mongo Santamaria was one of the giants of Latin jazz. In a new CD called Mongorama, producer José Rizo and a star-studded band of musicians pay tribute to the master. Our Latin jazz specialist, Janine Santana reviews the recording.
José Rizo’s “Mongorama” (Saungú 3) Read More »
Thelonious Monk’s tour of Europe in late 1969 was the last time he would travel the Continent with his own group. Despite a number of setbacks, the quartet was in great form for its appearance at Paris’ Salle Pleyel. As Thomas Cunniffe reports, the film of this concert has circulated among collectors for years, but Blue Note’s new DVD may be the first legitimate release of this material.
Thelonious Monk: “Paris 1969” (Blue Note) Read More »
In the 1960s, Nancy Wilson’s popularity rose as jazz’s audience waned. Much of her success was due to an extraordinary series of albums on Capitol. In his first contribution to our pages, Michael Canty offers his thoughts on one of those classic albums, Yesterday’s Love Songs/Today’s Blues.
Nancy Wilson: “Yesterday’s Love Songs/Today’s Blues” (Capitol 96265) Read More »
It is only ninety miles between the Florida Keys and Havana, yet the ideological and political differences between the US and Cuba seem much wider. The Ninety Miles project attempts to bridge the gap through music. The resulting CD/DVD with American and Cuban musicians playing side by side is reviewed by Janine Santana.
Stefon Harris/David Sánchez/Christian Scott: “Ninety Miles” (Concord Picante 32904) Read More »
Normally, this space would be filled with a book review. But this month, Thomas Cunniffe became quite frustrated with a new jazz listener’s guide he was asked to review. As he writes,This book is a particularly egregious example of shoddy work, which was pushed into the marketplace without recognition of its responsibilities or consequences. Cunniffe uses the faults of the book to address the problems with some of today’s jazz scholarship.
The impact of Norman Granz on the world of jazz can hardly be underestimated. He influenced the way the music is presented both live and in the studio, and he was a trailblazer in the struggle for civil rights. Tad Hershorn’s new biography tells of Granz’ accomplishments and failures, and Thomas Cunniffe offers his reactions in our new book review section.
Norman Granz: The Man Who Used Jazz for Justice (by Tad Hershorn) Read More »
Not all of the giants in New York play at the Meadowlands. Indeed, most of the giants heard in this month’s instrumental CD reviews are most likely to be found at Manhattan’s many nightspots. The range of the music, including Anat Cohen’s Brazilian ensemble, Ryan Truesdell’s Gil Evans Project, and the straight-ahead groups led by Steve Turre and Ben Wolfe display some of the styles played in the Big Apple. Thomas Cunniffe reviews these four remarkable new albums.
New York (Jazz) Giants Read More »
The three vocal CDs reviewed this month feature an abundance of original compositions. Gabriel Espinosa and Hendrik Meurkens lead an international ensemble on a celebration of Brazilian music, Samba Little Samba, Lauren Hooker sings an autobiographical song cycle on All For You, My Heart and Soul, and the duo of Judi Silvano and Michael Abene perform daring improvisations from compositional sketches on My Dance. Thomas Cunniffe examines the music.
Few albums had the impact of Ornette Coleman’s The Shape of Jazz to Come and Change of the Century. They generated an incredible amount of critical buzz, and there was little middle ground: either you loved it or hated it. In 1960 (and today), Amy Duncan loved it, and she shares her reactions to the albums in this Retro Review.