Author name: Thomas Cunniffe

I Called Him Morgan (Filmrise DVD; Netflix/Amazon stream)

On a winter night in 1972, Lee Morgan’s estranged common-law wife, Helen, shot and killed the trumpeter in the middle of a packed nightclub. The details of the murder have been elusive for decades, but a new film by Kasper Collin, I Called Him Morgan uses an audio interview of Helen and the memories of Lee’s musical colleagues to describe the events leading to the trumpeter’s death. Thomas Cunniffe reviews the film, recently issued on DVD.

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In Memoriam

The two vocal CDs reviewed this month memorialize a great musician (and his wife), and an honored son. Karla Harris celebrates the rarely-heard vocal music of Dave & Iola Brubeck, while Chris McNulty offers a heartfelt memorial to her late son, Sam. Thomas Cunniffe gives his reactions to these fine albums.

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Inspirations

While each of the leaders of this month’s instrumental CDs is an accomplished composer/arranger, most of the music presented on their discs are from the pens of other composers. Saxophonist Michael Cox remembers his friend and colleague Mark Flugge on Compassion, Eddie Daniels salutes Egberto Gismondi on Heart of Brazil, Ryan Keberle and Frank Woeste explore a piece by Maurice Ravel on Reverso, and Bobby Sanabria offers a dramatic rewrite of a classic musical in West Side Story Reimagined. Thomas Cunniffe reviews the discs.

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Jaco (Iron Horse/MVD Visual)

The flamboyant electric bassist Jaco Pastorius was an anomaly in jazz history. Since his instrument has generally gone out of favor in jazz circles, Pastorius’ main influence has been within rock bands. A new documentary, authorized by the Pastorius family, was produced by Metallica’s Robert Trujillo, and features an equal number of rock and jazz musicians as interviewees. Thomas Cunniffe reviews the 2-DVD set of Jaco, noting that the film discusses Jaco as a person well, but gets a few key facts wrong.

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The James Carter Interview

Saxophonist James Carter has been part of the New York jazz scene for over 20 years. His imaginative, risk-taking style has brought both fans and detractors, but the energetic spirit of his playing has brought some of those detractors over to his side. Carter discusses that and tells about the creation and recording of a new saxophone concerto with Jazz History Online’s Marissa Dodge.

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Classic James P. Johnson Sessions (Mosaic 262)

During the 1920s, James P. Johnson’s career developed in four distinct areas: stride pianist, vocal accompanist, songwriter and sideman. A new set from Mosaic features Johnson’s recordings in all these areas during his peak years of 1921-1943. Because the recordings are presented in chronological order, the music of those distinct areas get mixed together. In his Retro Review, Thomas Cunniffe suggests that listeners use the programming function on their CD player to separate the styles and omit some of the less artistic tracks.

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Jane Ira Bloom: “Sixteen Sunsets” (Outline 141)

Just over 20 years ago, a quote from astronaut Joseph Allen about traveling through outer space and seeing 16 sunrises and sunsets per day inspired Jane Ira Bloom to write a brilliant piece for improvisers and antiphonal wind ensemble. Today that same quote has inspired a more reflective album from Bloom, an all-ballads CD which reviewer Thomas Cunniffe says unfolds like a well-written story.

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Janeology

The musical worlds of soprano saxophonist Jane Ira Bloom encompass visual art, modern dance and outer space. A brilliant improviser and educator, Bloom has been a vibrant part of the jazz scene for over 30 years. Thomas Cunniffe’s profile includes detailed descriptions of her finest recordings.

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