This month’s vocal CD reviews take us to Spain, Hungary, Switzerland and Brazil via four superb vocalists who may be not be well-known to American audiences. Thomas Cunniffe introduces you to the music of Carmen Cuesta, Paulinho Garcia, Beat Kaestli and Rozina Pátkai.
International Flair Read More »
The flamboyant electric bassist Jaco Pastorius was an anomaly in jazz history. Since his instrument has generally gone out of favor in jazz circles, Pastorius’ main influence has been within rock bands. A new documentary, authorized by the Pastorius family, was produced by Metallica’s Robert Trujillo, and features an equal number of rock and jazz musicians as interviewees. Thomas Cunniffe reviews the 2-DVD set of Jaco, noting that the film discusses Jaco as a person well, but gets a few key facts wrong.
Jaco (Iron Horse/MVD Visual) Read More »
The spirit of the late John Dankworth is present throughout It Happens Quietly, the latest CD from his daughter, Jacqui Dankworth. John arranged most of the music on the album, and soloed on one track. In his review, Thomas Cunniffe notes that this import CD is a stunning memorial from daughter to father.
Jacqui Dankworth: “It Happens Quietly” (Specific 14) Read More »
Saxophonist James Carter has been part of the New York jazz scene for over 20 years. His imaginative, risk-taking style has brought both fans and detractors, but the energetic spirit of his playing has brought some of those detractors over to his side. Carter discusses that and tells about the creation and recording of a new saxophone concerto with Jazz History Online’s Marissa Dodge.
The James Carter Interview Read More »
Snappy Too has everything you’d expect from a modern big band album: great arrangements, thrilling ensemble parts and great soloists. In fact, all it’s missing is 15 other people, for this remarkable CD features Jeff Hamilton on drums, and James Morrison on all the other instruments. Thomas Cunniffe reviews the disc.
James Morrison: “Snappy Too!” (Morrison Records 20) Read More »
During the 1920s, James P. Johnson’s career developed in four distinct areas: stride pianist, vocal accompanist, songwriter and sideman. A new set from Mosaic features Johnson’s recordings in all these areas during his peak years of 1921-1943. Because the recordings are presented in chronological order, the music of those distinct areas get mixed together. In his Retro Review, Thomas Cunniffe suggests that listeners use the programming function on their CD player to separate the styles and omit some of the less artistic tracks.
Classic James P. Johnson Sessions (Mosaic 262) Read More »
Just over 20 years ago, a quote from astronaut Joseph Allen about traveling through outer space and seeing 16 sunrises and sunsets per day inspired Jane Ira Bloom to write a brilliant piece for improvisers and antiphonal wind ensemble. Today that same quote has inspired a more reflective album from Bloom, an all-ballads CD which reviewer Thomas Cunniffe says unfolds like a well-written story.
Jane Ira Bloom: “Sixteen Sunsets” (Outline 141) Read More »
The musical worlds of soprano saxophonist Jane Ira Bloom encompass visual art, modern dance and outer space. A brilliant improviser and educator, Bloom has been a vibrant part of the jazz scene for over 30 years. Thomas Cunniffe’s profile includes detailed descriptions of her finest recordings.
After enduring a decade of misguided criticism, Jane Monheit is now an established performer on the jazz scene. Thomas Cunniffe reviews a performance at the University of Denver that displayed Monheit as a worthy curator of the Great American Songbook.
Jane Monheit at the University of Denver (October 18, 2011) Read More »
In 1957, Norman Granz launched the 18th tour of Jazz at the Philharmonic. The concerts yielded 5 separate albums featuring Ella Fitzgerald, Oscar Peterson, the Modern Jazz Quartet, Stan Getz, J.J. Johnson, Coleman Hawkins, Roy Eldridge and the JATP All-Stars. All of the albums were titled At the Opera House but on four of the five albums, the mono editions were recorded at the Shrine Auditorium in Los Angeles! In this newly revised Historical Essay, Thomas Cunniffe sorts out the discographical maze and discusses all five of the albums in both their mono and stereo editions.
JATP at The Opera House Read More »
With contemporary music styles cross-fertilizing before our very ears, the training of young musicians requires instruction in an ever-widening range of genres. A gala concert featuring the talented students, alumni and mentors from three pioneering music education programs has just been released as the CD/DVD set (and PBS special), Jazz and the Philharmonic. Thomas Cunniffe reviews the discs.
Jazz and the Philharmonic (Okeh CD/DVD) Read More »
Standup comedians like Mort Sahl, Lenny Bruce, Woody Allen and Bill Cosby have readily acknowledged the influence of jazz in their work but few comedians talked about the music in their acts. There were a few exceptions, and Thomas Cunniffe shares them in this month’s Sidetracks.
Jazz and Standup Comedy Read More »
The art song has been a staple of European and American classical music for two centuries. It’s possible that jazz has found its equivalent in two new albums led by Renee Rosnes and Helen Sung. On each album, the pianist/composers have collaborated with a living, jazz-influenced poet to create song cycles with potent messages and room for improvisation. Thomas Cunniffe compares these stunning new releases in this special CD review.
As if January wasn’t depressing enough, jazz fans were told once again that their music represents only 2.3% of the US music market. To make things worse, the New Orleans Jazz and Heritage Festival announced this year’s lineup–with a preponderance of rock and pop acts. Thomas Cunniffe considers the implications of these events in this month’s Sidetracks.
We…Are…The 2.3 Percent! Read More »