Author name: Thomas Cunniffe

“THE PLAYBOY JAZZ ALL-STARS, VOLUME 2” (LP: Playboy PB 1958)

Don’t let the Playboy moniker throw you: The album under review does include a gatefold cover, but there are no nude photos inside. “The Playboy Jazz All-Stars, Volume 2” collected tracks by the winners of the magazine’s 1958 jazz poll, and aside from a few misogynist remarks in the liner notes, the album is completely family-friendly. In fact, it was one of the first jazz albums that the teenaged Thomas Cunniffe ever heard. In this Retro Review, he recalls this recording, his growing love of the music, and a very special Christmas present.

“THE PLAYBOY JAZZ ALL-STARS, VOLUME 2” (LP: Playboy PB 1958) Read More »

“RABBIT’S BLUES” (by Con Chapman)

Johnny Hodges was a private man who disliked giving interviews. Self-taught on both alto and soprano saxophones, he was not particularly well-versed on the mechanics of music, and the fear of being asked to explain elements of his personal style may have been his reason for keeping the press at arm’s length. In his new Hodges biography, “Rabbit’s Blues”, Con Chapman explores many of the stories about the enigmatic saxophonist. However, reviewer Thomas Cunniffe was disturbed by the book’s lack of musical discussions, so he has amended this Book Review with five embedded YouTube clips featuring some of Hodges’ finest solos.

“RABBIT’S BLUES” (by Con Chapman) Read More »

NEWLY-RELEASED JAZZ (FROM THE 1960s)

It’s amazing what treasures can be found within a record company vault. In this month’s Retro Review, Thomas Cunniffe discusses two double-CD sets of previously unreleased 1960s recordings by a pair of iconic tenor saxophonists. “Getz at the Gate” is a 1961 live date with Stan Getz at his most aggressive (powered by the phenomenal Roy Haynes), and “Grits, Beans and Greens” presents two contrasting recording sessions led by Tubby Hayes.

NEWLY-RELEASED JAZZ (FROM THE 1960s) Read More »

STANDARDS…OF MANY KINDS

The term “standards” can mean different things to different artists. On Holly Cole’s new CD, it refers to the Great American Songbook. Nancy Kelly, Jenna McLean and the Anöna Trio mix pop and jazz standards on their discs, and on the Tierney Sutton Band’s latest release, the term embraces a wide variety of movie music. Thomas Cunniffe reviews all of the above CDs in this month’s Vocal CD Reviews.

STANDARDS…OF MANY KINDS Read More »

JAZZ FROM DETROIT (by Mark Stryker)

“It takes a village to raise a jazz musician, and one reason Detroit has produced so many front-rank players is that the villagers are as hip as they come.” This sentence from Mark Stryker’s new book “Jazz from Detroit” is an apt summary of the city’s contribution to jazz. In this month’s Book Review, Thomas Cunniffe explores Stryker’s history, which traces the Motor City jazz scene from the bebop era to the present day.

JAZZ FROM DETROIT (by Mark Stryker) Read More »

DIVERGENT CAREER PATHS

This issue’s Retro Review tells of two superb vocalists whose careers took different paths in the late 80s and early 90s. Lisa Rich was a rising singer with a new album ready for release when health problems sidelined her career. Betty Carter was at the zenith of her career, and was celebrated in a career retrospective at Jazz at Lincoln Center. The recordings have received belated releases, and Thomas Cunniffe discusses both in this essay.

DIVERGENT CAREER PATHS Read More »

SINGER’S SURVIVAL GUIDE TO TOURING (by Elisabeth Lohninger)

While universities do a credible job of training young jazz musicians for successful careers, the one course usually missing from the curriculum might be the most beneficial: “The Road 101”. Elisabeth Lohninger comes to the rescue with “Singer’s Survival Guide to Touring”, a comprehensive guide to life on the road. In his book review, Thomas Cunniffe notes that while the book is designed for vocalists, much of the information is equally applicable to instrumentalists.

SINGER’S SURVIVAL GUIDE TO TOURING (by Elisabeth Lohninger) Read More »

Scroll to Top