Jazz piano covers a multitude of styles and sounds. This month, Ben Markley reviews recent albums by the intense and poetic Dan Cray, the classically-trained and Latin-influenced Ari Erev, the powerful and creative Orrin Evans, and the exuberant and passionate Arturo O’Farrill.
Jazz Pianists: Emerging and Established Read More »
Ted Gioia’s new book The Jazz Standards is an invaluable guide to the standard repertoire of working jazz musicians. Thomas Cunniffe reviews the volume, which includes essays on 252 songs by Tin Pan Alley and jazz composers. And if you’re wondering why we’re featuring this book in a Women in Jazz issue, it’s because Gioia recommends recordings by women musicians on nearly every page of the book.
The Jazz Standards (by Ted Gioia) Read More »
Over the past several decades, jazz oral history projects have preserved the stories of great musicians. While the Filius Jazz Archive from Hamilton College may not be as well known as other jazz oral history projects, a new book Jazz Tales from Jazz Legends reveals that the Filius Archive holds several unique treasures. Thomas Cunniffe reviews the book, sales of which support the ongoing work of the archive.
Jazz Tales from Jazz Legends (by Monk Rowe with Romy Britell) Read More »
A few decades ago, every young drummer dreamed of having a drum set finished in red sparkle. Jeff Hamilton was lucky enough to have one, and his memories of playing that set are so vivid that he calls the musical highlights of his life “red sparkle moments”. Red Sparkle is also the name of Hamilton’s latest album, and in his review, Thomas Cunniffe notes that the album is a superb addition to the Hamilton trio’s discography.
Jeff Hamilton Trio: “Red Sparkle” (Capri 74114) Read More »
In a rare Denver appearance, jazz guitar legend Jim Hall and his quartet performed subtle entrancing music for a sold-out crowd. In his review, Thomas Cunniffe reports that Hall’s improvised lines are as stunning as ever, and his group listens and responds like few others.
Jim Hall Quartet at Dazzle Jazz, Denver (October 20, 2011) Read More »
In 1975, Stan Getz was asked to produce several jazz albums for Columbia. One of his first projects was The Peacocks, an album displaying the instrumental and vocal talents of Jimmy Rowles. In this Retro Review, Thomas Cunniffe calls the album the best showcase Rowles ever had.
Stan Getz Presents Jimmy Rowles: “The Peacocks” (Columbia 34873) Read More »
Up until a few years ago, John F. Goodman’s best-known work in jazz journalism was his nine-year tenure as the music critic for Playboy magazine. Jazz has been a passion for Goodman ever since his childhood, and in his new self-published memoir, “Jive Colored Glasses” he relates how jazz was a constant part of his life, even when he was not writing about the music. Thomas Cunniffe reviews the book.
Jive Colored Glasses (by John F. Goodman) Read More »
Jo Stafford never considered herself a jazz singer, but her 1960 Columbia LP Jo + Jazz shows us what might have been. Arranged and conducted by Johnny Mandel, and featuring an all-star band made up of Ellington veterans and West Coast jazz stalwarts, Stafford performs the most jazz-infused performances of her career. Thomas Cunniffe revisits this vocal jazz classic in this month’s Retro Review.
Jo Stafford: “Jo + Jazz” (Corinthian 108) Read More »
Vibraphonist Joe Locke’s fame has grown considerably over the last five years through a series of recordings on the Motéma label. However, he has been known as a “musician’s musician” since he first appeared on the New York scene in the early 1980s. Thomas Cunniffe reviews two new albums, scheduled to be released within the same week, which offer further evidence of his flexibility.
Joe Locke: Interpreter and Composer Read More »
At the closing concert of the University of Colorado-Denver’s Guitar Fest, John Scofield and his trio offered a wide variety of styles in their single 80-minute set. Thomas Cunniffe was there, and he offers this concert review.
John Scofield Trio at the King Center, Denver (April 6, 2012) Read More »
Most jazz fans know the vocalist Johnny Hartman for his intensely romantic album with John Coltrane. In his new Hartman biography, The Last Balladeer, Gregg Akkerman sorts through all of the myths about this misunderstood singer. Thomas Cunniffe reviews the results.
The Last Balladeer: The Johnny Hartman Story (by Gregg Akkerman) Read More »
Jazz’s coexistence of styles allows any musician of any age, gender or race to pursue any genre they wish, even if it’s not currently in style. Still the late 1970s appearance of Judy Carmichael, a white, blond and stunningly beautiful stride pianist turned several heads. In her new memoir, Swinger!, Carmichael offers a compelling narrative that jumps between various points in her life, and alternates between comedy and tragedy.
Swinger!: A Jazz Girl’s Adventures (by Judy Carmichael) Read More »
In her new album, Girl Talk, Kate McGarry refreshes an old concept (a tribute to great female jazz singers) with insightful recastings of classic songs. Thomas Cunniffe offers his reactions to the disc in this CD review.
Kate McGarry: “Girl Talk” (Palmetto 2152) Read More »
The number of bassist/vocalists in jazz history is rather small, and the number gets smaller when factoring in how many are women. Thomas Cunniffe introduces us to Katie Thiroux, whose abundant talents are displayed in her newly-released debut CD.
“Introducing Katie Thiroux” (BassKat 1001) Read More »