Author name: Thomas Cunniffe

The songs of the United States, France, Belgium, Mexico, and Brazil are featured in the discs covered in this issue’s CD Reviews. Stacey Kent’s latest disc focus on songs she has performed live, but had not yet recorded; Vanessa Perea mixes rare and familiar standards on her newest disc; Audrey Silver re-examines the score from “Oklahoma”; and Luciana Souza teams with Trio Corrente for an inspired sampling of the Brazilian songbook.b Thomas Cunniffe offers his reactions.

Mary Lou Williams’ “Zodiac Suite” was originally written for piano trio in 1945. Later that year, a version for trio, jazz soloists and chamber orchestra was premiered at New York’s Town Hall. While the trio version of “Zodiac” has been recorded on serveral occasions, two new CDs featuring the original orchestrations were just released–and within 6 weeks of each other! Thomas Cunniffe presents a side-by-side, and track-by-track comparison of the new versions by the Umlaut Chamber Orchestra, and Aaron Diehl with The Knights, using Williams’ Town Hall recording as the standard.

Ann Hampton Callaway, Nicky Schrire and Nicole Zuraitis all have a way with the pen. In addition to their other roles, they are all established composers, In this month’s Vocal CD Reviews, Thomas Cunniffe examines the latest releases from these very talented ladies.

Jazz did not exist during the lifetime of French poet Charles Baudelaire, and it is doubtful that Arnold Schoenberg or Anton Webern had heard any form of jazz before writing their early vocal works. Yet the contemporary jazz composers Annie Booth and Jeff Lederer have drawn from the earlier artist’s work to create new suites. Thomas Cunniffe reviews new CDs of “Flowers of Evil” (Booth’s Baudelaire song-cycle) and “Schoenberg on the Beach” (Lederer’s settings of Schoenberg and Webern’s early vocal works).