In the first edition of our new Sidetracks feature, Amy Duncan tells of getting the interview of a lifetime with the legendary (and notoriously difficult) Miles Davis. The first-person narrative is part of Duncan’s soon-to-be-published autobiography Getting Down To Brass Tacks: My adventures in the world of jazz, Rio and beyond.
MoreNormally, this space would be filled with a book review. But this month, Thomas Cunniffe became quite frustrated with a new jazz listener’s guide he was asked to review. As he writes,This book is a particularly egregious example of shoddy work, which was pushed into the marketplace without recognition of its responsibilities or consequences. Cunniffe uses the faults of the book to address the problems with some of today’s jazz scholarship.
MorePaul Desmond’s blazing improvisation on The Way You Look Tonight (from the Dave Brubeck Quartet’s album Jazz at Oberlin) has long been considered one of the saxophonist’s greatest solos. An alert JHO reader discovered that the solo was edited when transferred from 10 LP to EP and 12 LP. In this Sidetracks feature, Thomas Cunniffe notes that the edit completely changes the feel of the solo. Both versions are embedded in this article.
MoreInvent a new recording technology and someone will claim that the old technology was better. The CD vs. LP discussion has gone on for the past several years, but Sony Music is going one step further, claiming that Miles Davis’ first 9 Columbia albums were designed to be heard in mono. Thomas Cunniffe speculates on Sony’s reasoning in this month’s Sidetracks.
MoreWhen the Saints Go Marchin’ In is one of the oldest standards in the jazz repertory, and its origins are shrouded in mystery. In this month’s Sidetracks column, Thomas Cunniffe notes a startling resemblance between the Saints and a crucial part of the Catholic Requiem Mass.
MoreThe New Yorker’s fake Sonny Rollins interview has probably gotten more attention than it ever deserved, but the suicide of Robin Williams has brought out a new and disturbing element about the Rollins article. In this special edition of Sidetracks, Thomas Cunniffe explores the darker side of the New Yorker’s satire.
MoreIn recent years, many jazz venues have added live video streaming as a way to add to their revenue and recognition. Theoretically, a live feed should be the next best thing to being there, but in this month’s Sidetracks, Thomas Cunniffe discusses the highs and lows of video streaming, and spotlights a club that’s trying to set the bar higher.
MoreJazz History Online marks the new year with a summation of the year just passed. Thomas Cunniffe’s Sidetracks essay discusses the highlights of concerts, books, DVDs, films, and CDs of 2012, and bids farewell to many great musicians who left our world in the past 12 months.
MoreJazz History Online marks the new year with a summation of the year just passed. Thomas Cunniffe’s Sidetracks essay discusses the highlights of concerts, books, DVDs, films, and CDs of 2013, and bids farewell to many great musicians who left our world in the past 12 months.
MoreAs 2017 comes to a close, Jazz History Online recognizes the best new and reissued CDs, DVDs, concerts and books that have appeared in our pages over the past 12 months. We also pay tribute to the great musicians and historians who left us in 2017.
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