Retro Reviews

  • UNBURIED TREASURES

    This issue’s Retro Review covers three new discoveries, including a pair of highly interactive duo concerts by Roy Hargrove and Mulgrew Miller, three Seattle nightclub sets from the 1960s by Harold Land, and the recording debut of Sheila Jordan. Thomas Cunniffe reviews these instant classics.

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  • “THE COMPLETE LOUIS ARMSTRONG COLUMBIA & RCA VICTOR STUDIO SESSIONS, 1946-1966” (Mosaic 270)

    After several delays, Mosaic has finally released “The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions”. If anything, it is even more fascinating that the live set they released several years ago. As he did with the previous Mosaic Armstrong box, Thomas Cunniffe reviews the new set in depth with detailed information on each…

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  • NEW MUSIC FROM OLD MASTERS

    The four albums spotlighted in this month’s Retro Review offer new insights into the music of Dave Brubeck, Ella Fitzgerald, Charles Mingus and Sonny Rollins. Each recording adds previously unissued music which help to fill gaps in their legacy. Thomas Cunniffe highlights these important recordings.

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  • MINGUS AT ANTIBES (Atlantic 3001 [LP]/Rhino 72871 [CD])

    It was hot in the summer of 1960, but it wasn’t all due to the weather. Civil Rights was a regular topic on the evening news. With racial inequality still part of our daily lives in 2020, Thomas Cunniffe felt that it was appropriate to re-examine Charles Mingus’ explosive concert at Antibes from July 1960,…

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  • LENNIE TRISTANO & LEE KONITZ: DUETS (but not with each other)

    Lennie Tristano and Lee Konitz were constantly grouped together because of their decades-long association: first as teacher and pupil, then as leader and sideman. It may seem surprising that they never made a duet recording together, but soon after their last gig together, both men started an album of duets…with other musicians. In this Retro…

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  • TUBBY HAYES: “THE COMPLETE FONTANA ALBUMS” (Fontana 7743915—13 CDs)

    While most of Tubby Hayes’ recordings have been reissued in recent years, his important recordings for the Fontana label have been in and out of print since their original issues. With the success of the recently rediscovered “Grits, Beans and Greens” sessions, Universal Music has finally reissued all of Hayes’ Fontana albums as deluxe CD…

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  • NAT KING COLE: “HITTIN’ THE RAMP” (Resonance 2042)

    In addition to being one of the world’s greatest popular vocalists, Nat King Cole was also an important jazz pianist in the years between swing and bebop. Many of Cole’s earliest recordings were made for radio transcription companies rather than commercial labels, but that didn’t stop Cole from leaving a group of recordings that showed…

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  • “THE PLAYBOY JAZZ ALL-STARS, VOLUME 2” (LP: Playboy PB 1958)

    Don’t let the Playboy moniker throw you: The album under review does include a gatefold cover, but there are no nude photos inside. “The Playboy Jazz All-Stars, Volume 2” collected tracks by the winners of the magazine’s 1958 jazz poll, and aside from a few misogynist remarks in the liner notes, the album is completely…

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  • NEWLY-RELEASED JAZZ (FROM THE 1960s)

    It’s amazing what treasures can be found within a record company vault. In this month’s Retro Review, Thomas Cunniffe discusses two double-CD sets of previously unreleased 1960s recordings by a pair of iconic tenor saxophonists. “Getz at the Gate” is a 1961 live date with Stan Getz at his most aggressive (powered by the phenomenal…

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  • DIVERGENT CAREER PATHS

    This issue’s Retro Review tells of two superb vocalists whose careers took different paths in the late 80s and early 90s. Lisa Rich was a rising singer with a new album ready for release when health problems sidelined her career. Betty Carter was at the zenith of her career, and was celebrated in a career…

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