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How to Listen to Jazz (by Ted Gioia)
The title of Ted Gioia’s new book might strike many long-time jazz fans as too elementary for their needs. However, JHO book reviewer Thomas Cunniffe asserts that How to Listen to Jazz should be required reading for all jazz fans, because Gioia proves that the best way to revitalize our own passions for jazz is…
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Love Songs: The Hidden History (by Ted Gioia)
Ted Gioia is one of today’s finest music historians. Since he usually focuses on American music, it’s a little surprising that his latest book Love Songs is not limited to modern love songs, but is a comprehensive history of the subgenre going back to the 23rd century BC. Thomas Cunniffe’s review states the book contains…
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Possibilities (by Herbie Hancock & Lisa Dickey)
Ask the average jazz musician who he would like to meet, and one likely answer would be Herbie Hancock. From all accounts, Hancock is a friendly warm person with few pretensions. We may not all get our chance to hang out with Herbie, but his autobiography Possibilities might be the next best thing. In a…
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Jazz in China (by Eugene Marlow)
According to its author, Eugene Marlowe, the first reaction he gets to his pioneering study, Jazz in China, is the question, Is there jazz in China? It has not been an easy road for jazz to flourish in this heavily Communist country, but it has two major periods, one before Mao’s reign, and one after.…
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The Jazz of Physics (by Stephon Alexander)
The liberal arts and the sciences may not be as far apart as you think. In his new book, The Jazz of Physics, physicist and jazz musician Stephon Alexander finds remarkable connections between improvised music and the laws of the natural world. As Thomas Cunniffe notes in his book review, Alexander’s dense text is sometimes…
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Joe Wilder: Softly, With Feeling (by Edward Berger)
Neither jazz historian Ed Berger nor trumpeter Joe Wilder were prone to publicize their own triumphs, but a few years ago, Berger realized that Wilder’s story needed to be told. Softly With Feeling reveals Wilder’s breakthroughs in integrating studio and symphonic orchestras. Thomas Cunniffe reviews the biography.
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Celebrating Ralph J. Gleason
Ralph J. Gleason was a pioneer in music criticism. He published his first reviews in 1934, when he was a student at Columbia University, and by 1950, he was the first full-time jazz critic working for a major newspaper. Gleason’s interests extended beyond jazz into comedy, folk, rock and politics. Thomas Cunniffe reviews two new…
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Shall We Play That One Together (by Paul DeBarros)
Marian McPartland is a survivor. At 95, she has outlived her contemporaries, and has only recently retired from performing and broadcasting. Paul de Barros’ new biography Shall We Play That One Together offers a thorough history of McPartland’s life and work, written with the full cooperation of the lady herself. Thomas Cunniffe presents his reactions…
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This is Hip: The Life of Mark Murphy (by Peter Jones)
One of the most original vocalists in jazz history, Mark Murphy never stopped experimenting with his sound, style and repertoire. His artistic restlessness and uncompromising attitude may have kept him from achieving the fame due him. Peter Jones’ new Murphy bio This is Hip explores the fascinating life and career of this jazz icon. Guest…
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Girl Singer (by Mick Carlon)
Educator and author Mick Carlon has found a unique way to introduce young people to jazz. He writes novels which juxtapose adolescent fictional characters with realistic portrayals of past jazz masters. His first two books featured Louis Armstrong and Duke Ellington, and in his new novel, Girl Singer, he explores the worlds of the Count…